Blockchain landscape rocks
Blockchain patenting has been exploding since and with Bitcoin and Ethereum hitting new all-time highs this year, Harrity Analytics decided to refresh their analysis of the blockchain patent space , in order to find out which companies are now patenting heavily in blockchain technology and in which countries patents are being obtained. Try the dashboard below. China currently leads the number of active blockchain patents and pending applications with 34,, a vast majority of those, 28,, are pending applications. The United States is second in patenting with 8, active patents and pending applications. Korea is third with 4, active patents and pending applications in blockchain technology.
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Content:
- What's the Relationship Between Blockchain and Cryptocurrencies?
- After the Bell: Regulatory Uncertainty, Crypto Investment & the Current Blockchain Landscape
- Blockchain manifestos: fighting for the imagination of a culture
- Software/Blockchain Engineer – Distributed Ledger Technology & Digital Assets
- NFTs, explained
- Amazon Exploring Crypto? The Cryptocurrency and Blockchain World Goes Crazy
- Blockchain, an emerging career path for students
- Explainer: NFTs are hot. So what are they?
What's the Relationship Between Blockchain and Cryptocurrencies?
The cryptoverse is a promised utopia, an antidote to the ivory tower, market-driven art world with its well-documented preference for work made by white men. Against the backdrop of an explosive cryptomarket in , the journalist Shana Nys Dambrot questioned the utopian rhetoric surrounding blockchain. Numerous attempts over the last fifty years to address this imbalance have made little progress.
The technology of blockchain seems to offer a solution, however, designed as it is to produce an open market in which anyone can participate. A blockchain is a decentralised, distributed ledger that stores data in packages called blocks. It s values of decentralisation, pseudo-anonymity and trustlessness suggest an abandonment of hierarchies, offer users a degree of privacy and reject human influence in decision-making and social relations. However, that has not been the experience for many in the collision of mainstream contemporary art and blockchain, such that some artists question the social implications of this new web-based technology.
This article explores three independent manifestos written amid the hype of , in which the artists Claudia Hart, Cassils and Danielle Brathwaite-Shirley address blockchain technology and the utopian ideals it espouses.
Although blockchain technology has been imagined since the end of the twentieth century, it was only launched in with the bitcoin blockchain, offering a non-hierarchical data management system with decentralisation, transparency, immutability and anonymity as key features. Ethereum launched a specific kind of token, ERC, in January , which became the standard for non-fungible tokens NFTs by assigning sole proprietorship and securing a clearer financial value for digital objects. Previously these were inherently reproducible and mass communicable, therefore undermining the scarcity model that private property presumes.
The NFT reinstates a form of scarcity by authenticating one file. But is a rejection of trust the answer to greater equity and to respecting diversity? Blockchain produces a system that eliminates human trust in favour of trust in technology. Cryptography and pseudo-anonymity reject confidence in another person because that person is largely undisclosed.
There is a commonplace belief that software and hardware design is apolitical; its supposed mathematical objectivity is the reason participants think it better than subjective, biased, human agreement. One must remember, however, that all technologies are designed by humans. The way biases frequently inhere within their designs undermines the neutrality that technology in general, and blockchain technology in particular, espouses. In its first decade, art made using blockchain technology was a specialised practice.
The terminologies, ideologies or aesthetic conditions were rarely discussed outside a core group of active practitioners. Such a price exploded interest in NFTs in mainstream contemporary art. The discourse around NFTs retains the early bias that technology is apolitical and ahistorical, with the engineer operating purely in the realm of computer mathematics in contrast to the more ideologically minded artist.
A depoliticisation has adhered to the art and technology discourse, but there are no neutral practices: every act enables or disables something. The easy depoliticisation of a set of aesthetics increasingly associated with blockchain obscures the flow of politics within the crypto scene, mitigating the transparency claimed by the community.
The visual language of such artists as Beeple or Pak are not neutral. Their aesthetics are political and they present gender, class and an assortment of ideologies within their subjects. The high prices that these works realised are part of a political and aesthetic context that must be recognised.
Gender and race bias exists within the tech industry. Works made by women or people outside of global art centres accrue less fiscal or media attention. This enthusiasm for blockchain speaks to utopian aspirations.
However, each of the three aforementioned manifestos disrupts an easy embrace of blockchain without simply rejecting it. They mediate a landscape that needs to be cultivated not merely developed. These manifestos argue that the virtual and tangible are not divided spaces but are in fact jointly fabricated, and that the behaviours in either impact both. In the early years of the internet, numerous manifestos responded to web-based technologies, recognising the emergence and potential of a new environment.
The social history of manifestos aligns with aspirations of new cybernetic realms: varying in style and content, manifestos are a clarion call for change. They fight for the imagination of the culture. A manifesto proposes entry into a better world by urging its audience towards a personal and practical engagement with the troubled world.
You cannot speak for me. I cannot speak for us. And so even ordinary pronouns become a political problem [. The movement of change is a changing movement, changing itself, demasculinizing itself, de-Westernizing itself, becoming a critical mass that is saying in so many different voices, languages, gestures, actions: It must change; we ourselves must change it.
We who are not the same. We who are many and do not want to be the same. In this passage Rich articulates how the use of first-person plural can impose an ideological stance even as it invites participants to recognise themselves in the proclamation.
Manifestos enjoin audiences, but their attitude can also seem solipsistic. Manifesto writing proliferates alongside periods of technological progress. The rapid growth of print publishing at the start of the twentieth century shares similarities with the rise of photocopying at the end of the s as well as the internet at the turn of the twenty-first century; these were all fertile periods for manifestos, artistic innovation and sociopolitical change.
New technologies of reproduction caused major shifts in expectations as well as sensibilities surrounding art and speech. A manifesto typically arises in response to dissatisfaction with the political or aesthetic options available. Hart examines identity as flexible and relational through the smart contract. Cassils adopts the guise of earlier tech manifestos to warn about the intrusion of rapacious capitalism and questions the reassertion of a white male canon.
Brathwaite-Shirley not only demands recognition for Black trans communities, she also insists on bridging virtual and tangible experience to mitigate the idealism around blockchain technology that results in a kind of isolationism.
These manifestos indicate that blockchain not only provides fiscal opportunities, privacy or security, but also a social realm. They proclaim the politics of this emergent space. The technology is not neutral and as such must be socialised if it is to be truly distributed and decentralised. The artist Claudia Hart wrote A Feminist Manifesta for the Blockchain in April , as a part of her contribution to The Bardo: Unpacking the Real , the second exhibition hosted by the blockchain art gallery Feral File, which opened on 20th May Her knowledge of cyborg feminism, queer theory, copyright law and the modernist avant-garde led to her proposal that:.
Identity on the blockchain presents an allegory for the 21st century wherein identity is ritualized through the computer file, individually designed, smart-contract bound, and secured on the blockchain, born when registered by the process of minting on a distributed network. The immutability of blockchain transactions implies a fixed and singular identity, albeit a constructed one. This might seem in contrast to the diversity emphasised by cyberfeminism.
Hart imagines how the emergence of blockchain and the promise of Web 3. No longer dependent on visual representation, a coherent digital identity could be action and process-oriented. Part of its promise is the possibility of a decentralized identifier DID , a secure digital identity, written by a subject, and replacing the algorithmic, branded, selfie product, a representational trope that marks the closure of the old, materialist photographic one.
Hart claims that identity has been co-opted by regimes of representation, reproduced online through selfies and various other social media postings that enact a personal brand. The hopeful Manifesta expresses a desire for another identity, one produced through online actions and communications that are constantly being recontextualised, as new data alters the relevance or significance of previous information sets.
This is meant to contrast against an identity captured by representational snapshots of self-reinforcing data points. Hart has also expressed doubts about the actualisation of this utopian ideal, but her articulation of it as a manifesto nonetheless encourages audiences to consider the current problems and to imagine the potential for something different.
Manifesta accompanied the release of Kiki. Object FIG. The work was originally produced as a GIF made from 3D animation in for dadaclub. She is wrapped in magazine covers based on original Dada designs. Flickering between purple, orange and the indubitable green-screen-hue FIG. This figure is trapped by the regime of representation. The colours and backgrounds change but the figure remains motionless.
Mainstream electronic media discourse often presents online identity as singular and self-made; even the notion of a data double suggests that identity is a distinct entity. This remains despite the arguments of contemporary feminist and postcolonial theorists, particularly in cyberfeminism, for plurality, hybridity and historicisation. Verification of identity would not originate from some authority but from the network of participants interacting online and on the blockchain.
Such a proposal reinforces the importance of the collective and the significance of history in producing or enabling identity. Subjects are not autonomous but implicated within networks of relations, in contrast to the trade and exchange values of consumerism. Blockchain technology does not inherently support an economic proposition, but has come to do so through the proliferation of cryptocurrency.
Consumption is made scatological, not the typically antiseptic, polished symbol of cultural capital. The painter and critic Mira Schor highlighted decades ago the problems of constantly reiterating a patriarchal lineage with regards to contemporary practitioners, rather than looking to a broader range that would introduce and establish new voices. The narrator, disguised in silhouette, delivers a monologue, interspersed with cultural and news imagery that exemplifies remix culture.
In terms of its sustainability ethos, the project articulates a desire to diversify voices in the art and crypto communities and as plenty of documentation shows, diversity is crucial for healthy ecosystems. The Brazilian poet Oswald de Andrade politicised notions of cannibalism in his Anthropophagic Manifesto Anthropophagy is the action of transforming base materials, a ritualised conversion enacted through ingestion, whereas cannibalism ignores this spiritual aspect.
The indigenous tribes despised by colonisers were engaged in a transmogrification of energy, whereas the Europeans who devoured cultures were the true vulgarians. The manifesto similarly flips this language around consumption in the technosphere by encouraging audiences to reclaim their power:.
Eat you like an animal. The compulsion to consume poses social, economic and environmental issues. Cassils makes the effort to bridge the individualising of the NFT to bring community onto the distributed ledger.
Blockchain technology was originally presented as facilitating frictionless art sales and greater consumption — based on the assumption that could be devoid of politics. However, some friction and resistance may be beneficial, as effort can contribute to an ethics of care. A relationship exists between the virtual and the tangible. Specific actions are delineated in four subsequent points. Digital art connects the culturally opposed practices, as well as the politics ascribed to each.
To create an NFT is to operate in the space between the politics of scarcity, which provides the value and market for mainstream contemporary art, and the infinite reproducibility that has been crucial to the work of many networked artists. In theory, there are no governance hierarchies in blockchain, hence its claims to decentralisation.
The height of popularity of post-structuralism, however, occurred when many civil rights movements were struggling to centre their experiences.
After the Bell: Regulatory Uncertainty, Crypto Investment & the Current Blockchain Landscape
The News: Is Amazon exploring crypto? Well, the cryptocurrency and blockchain world went crazy last week as Amazon listed a new job opening on their careers website. What would be the implications if Amazon started accepting the digital currency? Analyst Take: Coming off the back of a stellar set of Q2 numbers that were covered by my colleague Daniel Neman in a recent article , Amazon has recently posted a job listing that has garnered a lot of interest from cryptocurrency and blockchain technology watchers.
Blockchain manifestos: fighting for the imagination of a culture
Get in touch, share your ideas, and discover how we can work together for a sustainable, just, and equitable future. From helping those with limited access to bank accounts to tracking tuna — the applications are broad. As is usually the case with disruptive new technology, blockchain comes with a lot of hype. While its best-known application, bitcoin, divides opinion and makes banks and governments nervous, the technology may have great potential to advance social good. Serving the underserved Fintech companies across the globe are using blockchain to improve financial systems and redefine how businesses and individuals make payments. The company built a mobile app that runs on blockchain technology and allows cheaper, quicker and more direct fund transfers for those with limited access to formal banking. Users can open an account simply by inputting a phone number and digitally verifying their identity. Transactions are settled instantaneously and at a fraction of the fees charged by traditional banks. This translates into increased disposable income, better resilience to economic shocks, and wider participation of the most vulnerable populations in the financial system.
Software/Blockchain Engineer – Distributed Ledger Technology & Digital Assets
Growing companies are demanding the need to introduce revolutionary changes to all facets of their business as time and technology advance. Blockchain for Healthcare Description. Satoshi created blockchain to solve the double-spend problem of digital currency and to act as a ledger, a registry, of the transactions of Bitcoin. Each person that transacts Bitcoin acts as a node in the network, registering a transaction on the Bitcoin blockchain. Blockchain is a trend that has the potential to significantly improve the healthcare industry in and beyond.
NFTs, explained
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Amazon Exploring Crypto? The Cryptocurrency and Blockchain World Goes Crazy
Few people understand what it is, but Wall Street banks, consultants, and celebrities are buzzing about blockchain technology. It's hard to remove blockchain from Bitcoin, so we'll start with Bitcoin as we work to understand this technology's potential. Download our free report to get all the trends. The impact of blockchain tech could be huge. Big corporations — like Walmart and Pfizer — have completed blockchain pilots, with many more partnering on projects ranging from remittance to title transfer. The tech looks set to only grow in importance.
Blockchain, an emerging career path for students
Can the anti-establishment ideals of blockchain technology convince artists to take back control of their creations? A handful of new start-up companies are declaring that blockchain will revolutionize digital music and transform how artists produce and distribute their art online. Imagine a public record of transactions where the origin of every digital file can be traced and recorded. This enables file ownership, copyright and distribution to be automatically enforced and documented by the protocol of the network.
Explainer: NFTs are hot. So what are they?
RELATED VIDEO: The Landscape for Blockchain TechnologiesHello Everyone. First, I want to introduce myself. At Platohedro we have a study group about all of the things about web 3. Investment laboratory Common fund to finance the activities and support the participants to have some tokens to explore the ecosystem. Who will benefit, and how: Youth and adults of different ages who are participants of Platohedro processes through its different programs, as well as the collectives that are part of the ecosystem of the organization and the alliances with other organizations and institutions, benefit as they expand their knowledge in a topic that generates much interest but of which little is known, they experiment in a practical way and appropriate the knowledge to generate new possibilities for their sustainability. Platohedro, which works for the search of strategies for Good Living and Good Knowledge, in the realities in which savage capitalism imposes excessively demanding rhythms and exchanges, sees the need as an organization to migrate to decentralized models that ensure technical and financial viability in the new stage of web 3.
The U. No matter what side of the political aisle you fall, we can all agree that the process of casting a ballot could use some improvement. Today, with the midterm elections upon us, the public is eagerly awaiting details on the progress made in the voting process. Could blockchain offer the solution? One of the reasons that electoral officials have been slow to migrate voting online is fear that election integrity could be compromised by hackers. Blockchain integrates cryptography into software in a unique way. It creates a tamper-free record that can easily be checked to ensure votes are accurately recorded.
The unaudited financial statements are available on Riot's website and here. We plan to amplify our focus on initiatives that will drive continued growth for the Company, increasing the US-based share of the Bitcoin mining landscape. The improvements in revenue and gross profit were primarily due to changes in the price of Bitcoin, combined with the greater number and higher efficiencies of the new generation miners deployed in , net of increases in the difficulty index associated with solving BTC mining algorithms. During Q4 , Riot anticipates achieving a total hash rate capacity of 7.
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